SKU: HL.48180548
UPC: 888680946098. 9.0x12.0x0.052 inches.
The Little White Donkey is a famous piece initially composed by Jacques Ibert (1890-1962). Arranged by the French flautist Marcel Moyse, and part of the set called Stories, this piece is the second one in the list of six. Rated as medium, its scores lasts two pages for flute and four for piano. Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919, also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He was also in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera.
SKU: BT.AMP-427-400
ISBN 9789043148580. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: BT.PL3068
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: BT.DHP-1185928-404
ISBN 9789043155083. French.
La collection Écouter, lire et jouer est aujourd’hui une référence pour l’enseignement des cuivres et des bois. Tous accompagnés d’un CD, ces ouvrages passionnants destinés aux débutants contiennent des chansons, des casse-tête musicaux et des jeux pour mieux comprendre la musique, des informations sur l’instrument concerné, et de nombreuses pièces agréables jouer. Les trois volumes de la méthode qui forment la base de cette collection sont complétés par plusieurs volumes de matériel complémentaire correspondant aux diverses étapes de cette méthode.
Dans Les Grands Classiques, les mélodies sont présentées en ordre croissant de difficulté et peuvent êtretravaillées conjointement avec les trois volumes de la méthode Écouter, lire et jouer. Emmenés dans un voyage travers l’histoire de la musique, les élèves rencontrent les plus importants compositeurs de la musique classique, depuis Tielman Susato jusqu’ Anton n Dvo ák, et bénéficient de commentaires historiques pertinents. La présente édition comprend des partitions pour accompagnement au piano soigneusement arrangées dans un niveau de difficulté modéré, dont les enregistrements sont disponibles sous forme de fichiers en ligne écouter en streaming ou télécharger.
SKU: AY.FRD05
ISBN 9790302114406.
The product available here for purchase is the solo flute part and piano reduction for John La Montaine's Concerto for Flute. Premiered on April 12, 1981 by Keith Bryan and the National Gallery Orchestra, John La Montaine's Concerto for Flute and Orchestra is best summed up in this review from Paul Hume at The Washington Post: The world premiere of a flute concerto by John La Montaine was the centerpiece. La Montaine clearly had a great time writing the concerto, since he filled it with wit and open, songful beauty. The formal design is neatly broken up into imaginative divisions. There are some exotic touches for woodblocks, and bass clarinet, but the heart of the work lies in the brilliance of the writing for the soloist. The cadenza in the final movement is impressively introduced and beautifully concluded..
SKU: HL.48180546
UPC: 888680795948. 9.0x12.0x0.11 inches.
Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and Marcel Moyse (1889-1984), a prominent French flautist, arranged the compilation for flute and piano in 1933 to great acclaim. Stories for Flute and Piano is made up of six movements; 1) The Leader of the Gold Turtles, 2) The Little White Donkey, 3) In the Sad House, 4) The Crystal Cage, 5) The Market of Fresh Water, and 6) The Procession of Balkis. Containing a variety of musical aspects and techniques, Moyse's arrangement for flute and piano of Ibert's Stories is an exciting addition to the intermediate level flautist's repertoire.
SKU: HL.49008200
ISBN 9783795754341. UPC: 884088945404. 9.0x12.0x0.21 inches.
Fun with Jazz Flute is a series for newcomers to the flute, no matter what age. It offers the possibility of going beyond traditional teaching material and getting to know the characteristics of pop and jazz music. The pieces were composed to be played with a pianist. In addition to the complete versions, you will therefore find the playbacks (the piano accompaniment) on the included CD as well. Sleep Well Waltz * Hickup * Les Boulevards de Paris * Autumn in Donegal * Slalom Waltz * Lonely Streets * Merry-go-round * I Miss You * Rocking Chair Blues * Orient Blues * Empty Bottle * A Sunday in the Park * Trip to Nowhere * Jazz Minuet * Walkin' with Julian * Swingin' Conversation * Journey to Faraway Galaxies * Mr Pickpocket * Paella * Betty's Gospel * Gymnastics * Stairclimbing * Birds in Springtime * Blues No. 672668 * Magic Rocks in Ireland * Pina Colada.
SKU: BT.DHP-1185891-404
ISBN 9789043154512. English.
Nowadays Look, Listen & Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listen& Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty.
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